Tuesday, November 27, 2012



Karriem Riggins- Alone Together Album Review



Artist: Karriem Riggins
Album: Alone Together
Genre: Instrumental Hip-hop/Turntabilism

7.2/10




I'm writing this review like how Karriem Riggins wrote this album...


Intro: big horn hits, frantic vocal sample
Round the Outside: repeated synth lines
From Detroit/Belle Isle: slow down, shoutout, scat singing, bass suddenly increases
Moogy Foog It: fond of this wonky bass tone, guero,
Ooooaaaa: chorus, repetitive synth
Stadium Rock: large tom sounds, scary vocal samples, latin-hip-hop drum beat, echoey, flute sample, very J dilla
Alto Flute: fast-paced bass line, drops out, very choppy with a low octave flute
Orbitz: repeated vocal sample, with banging triangle
Up: all over the place bass synth, creeping in on the as and the 32nd note pickups
Forward Motion: cool sample of a r&b tune
Esperanza: Peruvian influence, tight strings,
Africa: overblown snare and bass, the African influence is there but not as explicit as the song name implies
Harpsichord session: what do you think it is?
Water: spoken word about jazz over jazz-hop, intro into Double Trouble
Double Trouble: very cool, little flute lines and bells brighten it up
A7 Mix: exciting yet smooth
Ding Dong Bells: nice, spoken word break, kind of intelligible
Belle Isle Reprise: faster, a bit messier
Daooooh!!: latin pattern on the triangle, a wee bit repetitive
Tom Toms: quieter, warmer, soulful, jazzy
Because: choppy soul sample combined with funky synth groove, guitar solo
F_rd Jingle: wah guitar, return of flute, cut time funk, fade out into acappela gospel bullshit
Boy Is Doin’ It Right: darker, creepy quiet vocal sample,
Summer madness S.A.: latin, cool weird vocals
Back in Brazil: wonky, minimal
Live at Bert’s: great drumming, hand drums, guitar, supposed to simulate a live experience I guess.
No Way: a litte more fliying lotus-y
6-4: a break and a continuation of the themes in No Way
I Need Love: I NEED YO LOOOOVOIIIIN, fade out into cool guitar line
K. Riffins: sexy guitar lead, techno out of nowhere, interview with inventor of Moog, “let’s hear it”
Voyager/5000: wonkiness returns, bass tones act as chords behind the riff
Bring that Beat Back: trip-hop influence
Matador: chill as well
J Dilla the Greatest: great drums, cool lines


Fave Tracks: Moogy Foog It, Water, Double Trouble, Live at Bert's, J Dilla the Greatest




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