Album: Drop
Artist: Thee Oh Sees
Genre: Psychedelic Garage Rock
6.0/10
Their albums just
don’t stop coming, and maybe that’s not the best move for Thee Oh Sees
anymore. Their follow-up to the
monstrous Floating Coffin, Drop, is not a bad record, but it’s an underwhelming
record. In an effort to embrace a more
psychedelic aesthetic, they’ve brought in some synths and some slight vocal
changes, but the end result is confusing to put it briefly.
The album starts
off with a banger though (as most Thee Oh Sees records do) with the
synth-tastic "Penetrating Eye".
Embellishing arpeggios combined with that classic garage rock riffage
we’ve all come to love creates an opener that really shows the potential of the
record. The album continues rolling with
a great unexpected groove on "Encrypted Bounce" with that classic major/minor
chord alternation that grabs the ear. "Transparent World" brings the true fuzz though. The deep, grimy bass seems to have a resonant
frequency with your eardrum while the vocals barely brush your ears. But if you’re worried that they’ve strayed
too far from the band you know and love than make sure to pay attention to the
self-titled track. It’s got that
distorted, dissonant, upbeat, and psychedelic sound characteristic of Thee Oh
Sees. Plus of course it has like 4 different
guitar solos.
But this record
is overall a step down for the band. It’s
an intermediate record for sure. There
are some new aesthetics mixed with some of their classic techniques, but it’s
done in a plodding, sometimes unfamiliar way.
“Put Some Reverb on My Brother” is a confusing mess of acoustic-guitar
choruses and out-of-place sax lines. “Camera
(Queer Sound)” is formulaic and has far too many “oohs” and “aahs”. “The Lens” sounds like a more “normal” “Minotaur”
off of Floating Coffin with its cello
and softer vocals. There are some key
cuts here, but there’s not enough for me to drop more than a 6.0 out of 10 for
these guys this time.
FAVE TRACKS: Penetrating Eye, Encrypted Bounce, Transparent World
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